When Female Meet with Technology and Ethics in Art

23 Feb, 2019 Blank·Art Salon Vol.1

Today technology is developing at an unprecedented speed. We are crossing over the Internet era and gradually getting into a new era of artificial intelligence. Under this context, is there still a need for female art? When artists all pick up intersexuality as their characteristic, does it mean the feminist art would already accomplish its historical mission, thus become asexuality?

Around the topic of "Contemporary Art x Women x Technology and Ethics", five invited guests: artist Bi Rongrong, writer btr and Ag, professor Liang Jie and journalist Lisa Movius shared their opinion on this diverse movement.

About Guests

Ag

Ag is a writer born in Shanghai in 1985. Ag mainly works around short stories, commentaries, journal, also involves in curating exhibitions and directing films. Her books include the short story collections The Boundless Bedroom(无限的卧室) and Shanghai Geographical Notes (上海地理注疏).

btr

btr is a writer, translator, book reviewer and film critic. He has published several books including Shanghai, notes on City Life (2003), Bizarre Stories (2013), Mini Stories (2016) and Petite Mort (2017). His writings on urban life, literature, film and contemporary art have appeared in, among others, Fiction World, e-magazine of Goethe Institut, Modern Weekly, LEAP and Timeout Shanghai. His solo exhibition PETITE MORT was exhibited at New Space in 2017.

Bi Rongrong

Bi Rongrong is a contemporary artist. She received her Bachelor’s degree in Chinese painting in the Southwest China Normal University, her Master’s degree in landscape painting in the Sichuan University and Master of Fine Art in Frank Mohr Institute in the Netherlands. Based on the painting, she also explores different media such as fabric, site-specific installation, animation, etc.

Liang Jie

Liang Jie earned his Doctor’s degree in Economics from Fudan University and continued his post-doctoral research in Monash University in Australia. Currently he teaches at the School of Economics, Shanghai University of Finance and Economics, and also works as a researcher of Inter-Asia School. His research include economic thought, economic development and regional studies of South Asia and Southeast Asia, and published several academic papers and review articles.

Lisa Movius

Lisa Movius, China Bureau Chief of the international edition of The Art Newspaper. She has extensively covered Chinese art, avant-garde culture, gender and discrimination since moving to Shanghai in 1998. As an art critic, journalist and business reporter, she has worked for many different International media such as WWD, The Guardian, the Asian Wall Street Journal, Vogue, etc.

When Female Meet with Technology and Ethics in Art

23 Feb, 2019 Blank·Art Salon Vol.1

Today technology is developing at an unprecedented speed. We are crossing over the Internet era and gradually getting into a new era of artificial intelligence. Under this context, is there still a need for female art? When artists all pick up intersexuality as their characteristic, does it mean the feminist art would already accomplish its historical mission, thus become asexuality?
 

Around the topic of "Contemporary Art x Women x Technology and Ethics", five invited guests: artist Bi Rongrong, writer btr and Ag, professor Liang Jie and journalist Lisa Movius shared their opinion on this diverse movement.

About Guests

Ag

Ag is a writer born in Shanghai in 1985. Ag mainly works around short stories, commentaries, journal, also involves in curating exhibitions and directing films. Her books include the short story collections The Boundless Bedroom(无限的卧室) and Shanghai Geographical Notes (上海地理注疏).

btr

btr is a writer, translator, book reviewer and film critic. He has published several books including Shanghai, notes on City Life (2003), Bizarre Stories (2013), Mini Stories (2016) and Petite Mort (2017). His writings on urban life, literature, film and contemporary art have appeared in, among others, Fiction World, e-magazine of Goethe Institut, Modern Weekly, LEAP and Timeout Shanghai. His solo exhibition PETITE MORT was exhibited at New Space in 2017.

Bi Rongrong

Bi Rongrong is a contemporary artist. She received her Bachelor’s degree in Chinese painting in the Southwest China Normal University, her Master’s degree in landscape painting in the Sichuan University and Master of Fine Art in Frank Mohr Institute in the Netherlands. Based on the painting, she also explores different media such as fabric, site-specific installation, animation, etc.

Liang Jie

Liang Jie earned his Doctor’s degree in Economics from Fudan University and continued his post-doctoral research in Monash University in Australia. Currently he teaches at the School of Economics, Shanghai University of Finance and Economics, and also works as a researcher of Inter-Asia School. His research include economic thought, economic development and regional studies of South Asia and Southeast Asia, and published several academic papers and review articles.

Lisa Movius

Lisa Movius, China Bureau Chief of the international edition of The Art Newspaper. She has extensively covered Chinese art, avant-garde culture, gender and discrimination since moving to Shanghai in 1998. As an art critic, journalist and business reporter, she has worked for many different International media such as WWD, The Guardian, the Asian Wall Street Journal, Vogue, etc.